44BEATZCAST 21:10

44BEATZCAST 21:10 opens with Lara Sarkissian’s “In The Form Of A Sphinx”, conjuring skeletal drums beneath glimmering pads. Manuel-M’s “Enma” follows, its bass burbling like molten metal before Laurent Garnier’s emotive “I’m Going Home” ushers in wistful chords. R.O.S.H.’s “Add New Ones” twists acid lines around subterranean kicks, while “From the Crypt to the Astrofloor” plunges deeper into Garnier’s cavernous loops. Kristin Velvet’s “Frequency” ignites with sinewy synth stabs, giving way to Manuel-M’s plaintive “Wake Up (feat. Slope114)”, which drifts on a dreamy vocal sample. Green Velvet’s “Answering Machine (Main Frame Mix)” then rattles metal percussion against warped vocal snippets, emphasising raw club energy. Brassica’s “Era of the Impossible” layers hypnotic percussion, before Frankie Bones’s “Dreams On Plastic” crashes in with frenzied breakbeats. James Bangura’s “Curtain Call” offers a brief, soulful respite, leading to Cromby’s relentless “Try Acid” and KAKAF’s “Unconscious (Yen Sung & Photonz Mix)”, where acidic squelch and spacious pads collide. Wata Igarashi’s “Gravity” drops thunderous low-end rumble, and Mareena & JakoJako’s “30 Perlen” twines slippery hi-hats with atmospheric washes.

Terrence Dixon’s “The Way I See It” slows the pace into deep, minimalist reflections just before DC Salas’s tropical percussion in “Tropical Weirdness” injects playful swing. Claude Young’s “In Circles” folds Detroit-style chords into shuffling rhythms, contrasted by brandroid’s glitch-pop “Grain Capacity” that warps time with staccato bleeps. Frankie Bones returns with “Take the Red Pill”, its acid bite sharpening the mood, then Creasol’s “Hypnotic (Art Was Art Vocal Edit)” weaves sultry vocals through dusty grooves. François V’s sombre “El” extends a shimmering veil, making Carsten Jost’s “Juliane (Remixed By Lawrence)” sound like a haunting memory. Madben’s “The Mightiest Galaxy” expands into cosmic arpeggios, while Pig&Dan’s “Promised (Raxon Remix)” drives forward with relentless momentum. Sezer Uysal & Mehmet Özbek’s “Detro Days” pays homage to classic Detroit flair, and LOG’s “Twin Towns Orchestra” layers orchestral pads over jackin’ kicks. Finally, The Reese Project’s “I Believe (Laurent Garnier Frenchman In Stoke-On-Trent Ambient Chill Baseroom Mix)” bathes the listener in an ambient glow, closing out 117 minutes of genre-spanning exploration.